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Texts

A traditional image of Krishna and Radha
#Texts#Traditions#Vedanta

Advaita Vedānta – Recognizing Nonduality through the Upaniṣads

By Neil Dalal

The Upaniṣads, the ancient oral texts within the corpus of the Vedas, are the world’s earliest extant discussions of nonduality. They develop an integrative vision that reveals the hidden connections tying individuals to the world.

Go to story
Arjuna and Krishna on the battlefield at Kurukshetra

The Yogas of the Bhagavad-Gītā

By Jay Jagannath Das
the night sky

Worlds of Dream in the Yogavāsiṣṭha: Virtual and Virtuous Realities

By Christopher Key Chapple

Dreams, the act of dreaming, and the elusive identities of the dreamer play a central role in the philosophy of the Yogavāsiṣṭha. Reality in this text is always virtual; nothing has fixity. The only constant is change, tempered and formed according to the principles of karma.

Go to story
A traditional image of Krishna and Radha
#Texts #Traditions #Vedanta

Advaita Vedānta – Recognizing Nonduality through the Upaniṣads

The Upaniṣads, the ancient oral texts within the corpus of the Vedas, are the world’s earliest extant discussions of nonduality. They develop an integrative vision that reveals the hidden connections tying individuals to the world.

By Neil Dalal
the night sky
#Philosophy #Texts

Worlds of Dream in the Yogavāsiṣṭha: Virtual and Virtuous Realities

Dreams, the act of dreaming, and the elusive identities of the dreamer play a central role in the philosophy of the Yogavāsiṣṭha. Reality in this text is always virtual; nothing has fixity. The only constant is change, tempered and formed according to the principles of karma.

By Christopher Key Chapple
Arjuna and Krishna on the battlefield at Kurukshetra
#Texts #Yoga

The Yogas of the Bhagavad-Gītā

Among the many subjects that Bhagavad-Gītā (BG) is known for, one is the synthesis of the different Upaniṣadic yoga practices. Due to their terse and often cryptic style, the Upaniṣads’ discourse on yoga reads more like a gloss on the subject rather than an accessible exposition.

By Jay Jagannath Das

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